This chapter begins with the intimate archaeology of emotions. The images explore the moment when love transforms into residue — when the intensity of human connection leaves behind fragments, objects, and traces that resemble waste.
Using discarded materials, plastic, flowers, and reflective surfaces, the artist constructs fragile compositions that blur the line between beauty and abandonment. The luminous colors and distorted forms evoke memories suspended between attraction and decay.
In Poubelle, trash becomes a metaphor for emotional afterlife. What we throw away is rarely meaningless; it carries the invisible weight of past intimacy.
The series asks a quiet but persistent question: when love ends, where does its material memory go?
