This chapter originates in a moment of physical and emotional fragility. Illness, hunger, and the solitude of immigrant life form the background of the work.
The simplicity of the compositions reflects a stripped-down existence where survival becomes the primary focus. Domestic objects, leftovers, and improvised materials appear as witnesses to a difficult period.
Rather than dramatizing suffering, the artist treats these elements with quiet honesty. The images become a form of visual diary — documenting the conditions that often remain invisible behind the romantic myth of artistic life abroad.
In Just Poubelle, the ordinary becomes evidence of endurance.